Kokerboom Family, Quiver Tree Forest (2024)
Northern Cape, South Africa
Before I arrived at the aloe forest, I had no idea that the landscape itself would be so steep. In my mind, for whatever reason, I had pictured endless flat open plains. Upon realising that the aloes prefer the northern slopes of the hills however, I recognised that there were photographic opportunities to utilise the steep banks as a backdrop and eliminate the blue cloudless skies above. This photograph was taken in the late afternoon while the lighting was still fairly harsh, but the effect of photographing into the light creates a wonderful contrast between the warm highlights set against shadows that are reflecting the cool tones of the sky.
Photo © copyright Murray Livingston.
Northern Cape, South Africa
Before I arrived at the aloe forest, I had no idea that the landscape itself would be so steep. In my mind, for whatever reason, I had pictured endless flat open plains. Upon realising that the aloes prefer the northern slopes of the hills however, I recognised that there were photographic opportunities to utilise the steep banks as a backdrop and eliminate the blue cloudless skies above. This photograph was taken in the late afternoon while the lighting was still fairly harsh, but the effect of photographing into the light creates a wonderful contrast between the warm highlights set against shadows that are reflecting the cool tones of the sky.
Photo © copyright Murray Livingston.
Northern Cape, South Africa
Before I arrived at the aloe forest, I had no idea that the landscape itself would be so steep. In my mind, for whatever reason, I had pictured endless flat open plains. Upon realising that the aloes prefer the northern slopes of the hills however, I recognised that there were photographic opportunities to utilise the steep banks as a backdrop and eliminate the blue cloudless skies above. This photograph was taken in the late afternoon while the lighting was still fairly harsh, but the effect of photographing into the light creates a wonderful contrast between the warm highlights set against shadows that are reflecting the cool tones of the sky.
Photo © copyright Murray Livingston.
Acrylic Fine Art Prints
These landscape photographs are printed on gallery-grade fine art Ilford paper and then mounted to a 3 mm (1/8 in) Di-bond composite plate made of two aluminium layers and a polyethylene core. They are subsequently placed behind matte acrylic which reduces glare and reflections in order to provide the very best viewing experience even in tricky lighting scenarios. The Ilford paper brings deep contrast, neutral greys, fade protection, high fidelity, and continuous tones with extraordinary depth. They are very lightweight and provide reliable stability ensuring no warping or bubbling of the prints. They come with preinstalled hanging hardware regardless of the format or size. The materials and mounting techniques used make for excellent archival qualities.
Have any questions? Check out my printing FAQs or contact me. Due to the production process and availability of the high quality materials used, please allow 4-6 weeks for production and delivery.
Black and White Aluminium Dibond Metal Prints
This popular method of printing offers a very high quality piece of art while keeping overall costs down. These prints are made using a Ilford fine art photo paper which is then mounted on a 3mm aluminium Dibond backing. The entire image is additionally covered with a UV protective laminate to provide archival longevity. The Ilford paper brings deep contrast, neutral greys, fade protection, high fidelity, and continuous tones and depth. These prints are available with both a matte or glossy surface depending on your lighting requirements. They come with preinstalled hanging hardware regardless of the format or size.
Have any questions? Check out my printing FAQs or contact me. Due to the production process and availability of the high quality materials used, please allow 2-4 weeks for production and delivery.
Fine Art Paper Prints
While only available in smaller sizes, this is my favourite way to display my work. These black and white prints are made using heavyweight Canson and Hahnemulhe fine art papers, renowned as some of the highest quality papers worldwide. I only use papers which are 100% cotton, acid and OBA free, incredibly detailed, and achieve very high levels of D-max. The fine art papers reveal a beautiful yet subtle texture with a lustre finish that provides depth and a 3D feel akin to that of traditional wet black and white prints. Fine art paper prints are shipped in a tube ready to go directly to your framer of choice.
Have any questions? Check out my printing FAQs or contact me. Due to the production process and availability of the high quality materials used, please allow 2-4 weeks for production and delivery.